{"id":214,"date":"2012-01-27T01:04:00","date_gmt":"2012-01-26T23:04:00","guid":{"rendered":"http:\/\/www.thefashioncommentator.com\/?p=214"},"modified":"2018-03-04T07:53:38","modified_gmt":"2018-03-04T05:53:38","slug":"pitti-w-9-my-selection","status":"publish","type":"post","link":"https:\/\/www.thefashioncommentator.com\/it\/2012\/01\/pitti-w-9-my-selection.html","title":{"rendered":"Pitti W 9: My selection"},"content":{"rendered":"

<\/p>\n

\n<\/div>\n
\nDal 10 al 13 Gennaio in concomitanza
\ncon Pitti Uomo, si \u00e8 tenuta la nona edizione di Pitti W, la kermesse
\ndi moda femminile che nonostante l’aria di crisi (non solo economica,
\nma anche creativa), ha riservato delle piacevoli sorprese tra
\nprogetti e nuovi designer. Questa la mia selezione:<\/span>
\n
<\/span><\/div>\n
\nFrom January 10 to 13 in conjunction
\nwith Pitti Uomo, in Florence there was also the ninth edition of
\nPitti W: the women’s fashion fair that despite the air of crisis (not
\njust economic, but even creative), has reserved some pleasant
\nsurprises among the stands. This is my selection:<\/span><\/div>\n
\n
<\/span><\/div>\n
\n<\/div>\n\n\n\n\n
<\/span><\/td>\n<\/tr>\n
Eleonora Niccolai; outfit from the lookbook and two dresses from the Pitti W stand<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span><\/p>\n

\n<\/div>\n
\nEleonora Niccolai, giovanissima
\ndesigner fiorentina che dopo gli studi in design di maglieria al
\nPolimoda e una lunga esperienza londinese da Vivienne Westwood, torna
\nin Italia come stylist, finch\u00e9 nel 2010 decide di lanciare la
\npropria linea \/ELEONORANICCOLAI. Le sue creazioni sono
\n“caotiche-ma-equilibrate” forme di lana, caratterizzate da
\nsilhouette volutamente non lineari, leggere e libere, come fossero
\ndrappeggiate direttamente sul corpo. Abiti che vivono una continua
\nmetamorfosi e che strizzano l’occhio ad una clientela dal gusto
\ninternazionale, che ama l’unicit\u00e0 del capo dalle forme inusuali
\ninteramente realizzato a mano con filati naturali. Clicca qui<\/a> per leggere l’intervista ad Eleonora Niccolai curata per Premi\u00e8reShooting.com.<\/span>
\n
<\/span><\/div>\n
\nEleonora Niccolai, young fashion
\ndesigner from Florence. She studied knitwear design at Polimoda then
\nmoved to London for work at Vivienne Westwood. Once back in Italy as
\na stylist, in 2010 she decided to launch her own line
\n\/ELEONORANICCOLAI. Her creations are “chaotic-but-balanced”
\nwool shapes with non-linear silhouettes. Her garments are light and
\nfree, as if they were draped directly on the body, as in a continuous
\nmetamorphosis. Unique style made in Florence, entirely by hand with
\nbiological yarns. Click here<\/a> to read the interview for Premi\u00e8reShooting.com.<\/span><\/div>\n
\n
<\/span><\/div>\n\n\n\n\n
<\/span><\/td>\n<\/tr>\n
Midzo Jewellery<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n<\/div>\n
\nIvan Midzic, dopo l’esordio alla
\nZagabria fashion week e la partecipazione ad eventi come la Vogue
\nFashion Night Out di Roma, debutta anche al Pitti W con la sua Midzo
\nJewellery, linea di gioielli scultura distribuita in Italia
\nesclusivamente da Qalime. Ivan \u00e8 uno scultore croato che volendo far
\nconoscere il suo modo di concepire l’arte, ha deciso di avvicinarsi
\nalle persone creando una linea di gioielli scultura con materiali
\npoveri come ferro, zinco, rame e ottone.\u2028 La particolarit\u00e0 delle
\nsue creazioni sta nelle forme tendenzialmente organiche o
\ngeometricamente complesse, lavorate artigianalmente lasciando le
\ntracce degli utensili, non mascherandole con verniciature. Per
\nl’occasione sono state presentate due nuove collezioni: la Leaves
\nCollection, dalle forme sinuose di foglie poli-materiche con un cuore
\ncentrale che focalizza tutta l’attenzione, e la Fold Collection, che
\nsi sviluppa tridimensionalmente utilizzando lo spazio quasi come
\nelemento decorativo.<\/span>
\n
<\/span><\/div>\n
\nThe artist Ivan Midzic, after the
\nZagreb Fashion Week and the Vogue Fashion Night Out in Rome, debuted
\nat Pitti W with his sculpture-jewelry line Midzo Jewellery,
\ndistributed in Italy exclusively by Qalime. Ivan is a Croatian
\nsculptor who wanted to let people know his way of conceiving art, so
\nhe created a line of sculpture-jewelry made with everyday materials
\nsuch as iron, zinc, copper or brass modeled as organic or
\ngeometrically complex shapes. For the occasion there were presented
\ntwo new collections: the Leaves Collection, sinuous and poly-textured
\nleaves with a central core that focuses all the attention, and the
\nFold Collection, which is developed using the three-dimensional space
\nalmost as a decorative element.<\/span><\/div>\n
\n
<\/span><\/div>\n\n\n\n\n
<\/span><\/td>\n<\/tr>\n
Kzeniya, artistic iPad holder<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n<\/div>\n
\nTra gli accessori di Kzeniya (linea
\nlanciata nel 2010 dalla designer, londinese d’adozione, Kzeniya
\nOudenot) hanno catturato la mia attenzione le custodie per iPad
\nispirate al mondo della letteratura e dell’arte inglese realizzate
\ncon una sperimentale tecnica di stampa su pelle, realizzata in
\nspagna, su pellami italiani. I pezzi chiave Kzeniya sono generalmente
\npi\u00f9 aggressivi, pochette e borse con inserti metallici dorati dalle
\nforme taglienti e squadrate, mentre queste custodie riflettono uno
\nspirito pi\u00f9 romantico, con la riproduzione di frontespizi e prime
\nstesure di romanzi settecenteschi o addirittura appunti e schizzi di
\nartisti.<\/span>
\n
<\/span><\/div>\n
\nKzeniya accessories is a line launched
\nin 2010 by the London-based designer Kzeniya Oudenot and her iPad
\ncases immediately has caught my eye. They are inspired by the late
\nXVIIIth century British literature and art; are designed in London
\nand made in Spain with experimental printing techniques on leather,
\nusing high quality Italian materials. The Kzeniya key items and bags
\nare generally more “edgy”, with metal plates and squared
\nshapes, while these iPad cases reflect a more romantic spirit, with
\nreproductions of title pages of novels or even artists sketches.<\/span><\/div>\n


<\/span><\/p>\n

\n
<\/span><\/div>\n\n\n\n\n
<\/span><\/td>\n<\/tr>\n
Brogden leather coat covered with Natasa Filimonov feather skulls<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n<\/div>\n
\nNan\u00e0 Firenze, brand nato dall’azienda
\nMazzanti Piume che dal 1935, generazione dopo generazione, confeziona
\nartigianalmente composizioni di piume per accessori moda e non solo.
\nAl Pitti W Nan\u00e0 Firenze oltre alle nuove collezioni di fashinators e
\naccessori, ha presentato la speciale collaborazione con la giovane
\ndesigner serba Natasa Filimonovic che si propone di “piumare”
\nla realt\u00e0 proponendo teschi da indossare su giacche e cappotti in
\npelle del marchio Brogden. Una provocazione che attraverso
\nl’esplosione di colori e piume esorcizza i teschi trasformandoli in
\nfashion totem.
\n<\/span>
\n
<\/span><\/div>\n
\nNana Firenze is the brand of the
\nMazzanti family which, since 1935, generation after generation, makes
\nhand-made compositions of feathers for fashion accessories and more. <\/span>At Pitti W Nana Firenze presented the
\nnew collection of accessories and fashinators in addition to a
\nspecial collaboration with the young Serbian designer Natasa
\nFilimonovic. She aims to “feather-ing” the world and, for
\nthe occasion, she made feather-skulls to be put on Brogden leather
\ncoats. A provocation that turned the skulls into fashion totem,
\nexorcising them with a full explosion of colors.<\/span><\/div>\n
\n
<\/span><\/div>\n\n\n\n\n
<\/span><\/td>\n<\/tr>\n
Bingnangles by Serena Bosone<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n<\/div>\n
\nI Binglabangles sono i gioielli di
\nSerena Bosone, designer milanese classe 1981, divisa tra la
\nscenografia e il design. Al Pitti W ha proposto la sua collezione
\nispirata a civilt\u00e0 lontane e ai grandi pittori e pensatori del
\npassato, reinterpretati con una materia prima sintetica che arriva
\ndal futuro, il plexiglass. I bracciali in resina ispirati ai disegni
\ndelle sete cinesi, i girocolli rigidi dalle linee geometriche tratte
\ndai copricapi vietnamiti e gli orecchini dai simboli tibetani
\nsembrano riportare alla mente un onirico viaggio in oriente. Un solo
\npezzo riesce a focalizzare l’attenzione, ottimo per quelle donne che
\nvogliono arricchire il classico little black dress con qualcosa di
\noriginale o per coloro che invece amano ornarsi di stampe e non
\npossono rinunciare ad un gioiello che abbia personalit\u00e0, pur
\nrimanendo sobrio.<\/span>
\n
<\/span><\/div>\n
\nBinglabangles is the jewel brand by
\nSerena Bosone, young Milanese set designer and fashion designer, born
\nin 1981. At Pitti W she proposed her high-plexiglass-jewellery
\ncollection, inspired by the Far East populations and the great
\nartists of the past as Gauguin. Serena propose a sort of
\ndreaming-trip through her resin bangles inspired by the flower
\ndesigns of Chinese silks; the rigid geometric necklace like the
\nVietnamese hats and the Tibetan symbols put on rings and earrings.
\nEvery single piece focuses all the attention and can be good for
\nthose women who want to enrich the classic little black dress with
\nsomething original or for those who love to wear full-printed dresses
\nand cannot give up a jewel with personality.<\/span><\/div>\n
\n
<\/span><\/div>\n\n\n\n\n
<\/span><\/td>\n<\/tr>\n
Misael coat and cape; and the Misael – Made in China Adv campaign by Manuel Scrima<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n<\/div>\n
\nMisael \u00e8 un laboratorio internazionale
\nper giovani creativi che mixa arte, design, fashion e food,
\nnell’intento di produrre creazioni uniche nel loro genere. Il
\nprogetto nasce a Shanghai nel 2007 dall’incontro tra l’imprenditore
\nMichael Haerens e la producer Isabelle Qian, e ad oggi vanta 5
\n“concept area” tra Cape Town, Milano, Vicenza, Ferrara e
\nShanghai, ma attenti a non chiamarli store. Al Pitti W \u00e8 stata
\npresentata la pre-collezione donna FW 2012 ideata e realizzata a
\nShanghai da un team internazionale guidato da Angelo Cruciani
\n(artista; performer; direttore creativo delle collezioni
\nabbigliamento Piero Guidi dal 2000 al 2008) che lavora all’ambizioso
\nprogetto Moda Misael per riqualificare il Made in China. La “Sensual
\nCollection” \u00e8 focalizzata sui capispalla e la maglieria con
\nsperimentazioni stilistiche come i cappotti in panno dalle forme
\navanguardiste e i modelli One Size, studiati per consentire ad ogni
\ndonna di indossare la stessa taglia adattando il capo al proprio
\ncorpo. La ricerca avviene anche attraverso i tessuti high-tech, dai
\npanni di lana 800gr delle divise militari Russe, alle tecnospugne
\nidrorepellenti e traspiranti per i capispalla, che da rigidi volumi
\nsi addolciscono valorizzando il corpo femminile.<\/span>
\n
<\/span><\/div>\n
\nMisael is an international workshop for
\nyoung designers. It mixes art, design, fashion and food, in order to
\nproduce unique creations. The project was born in Shanghai in 2007 by
\nthe cooperation of the entrepreneur Michael Haerens and the producer
\nIsabelle Qian. Now Misael boasts 5 “concept areas” between
\nCape Town, Milan, Vicenza, Ferrara, and Shanghai, but be careful not
\nto call them concept store. At Pitti W has been presented the pre-FW
\n2012 women’s collection designed and made in Shanghai by an
\ninternational team led by Angelo Cruciani, artist and ex-creative
\ndirector of the Piero Guidi clothing line (2000-2008), who works to
\nthe Misael Fashion project, aiming to redevelop the “Made in
\nChina”. The “Sensual Collection” is focused on
\nstylistic experiments such as the coats, made with 800gr wool like
\nthe Russian military uniforms or with waterproof tecno-sponge, and
\nthe One Size sweater-dresses, designed to allow every woman to wear
\nthe same size, adapting the garment perfectly to the body, no matter
\nthe size she is.<\/span><\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Dal 10 al 13 Gennaio in concomitanza con Pitti Uomo, si \u00e8 tenuta la nona edizione di Pitti W, la kermesse di moda femminile che nonostante l’aria di crisi (non solo economica, ma anche creativa), ha riservato delle piacevoli sorprese tra progetti e nuovi designer. Questa la mia selezione: From January 10 to 13 in conjunction with Pitti Uomo, in Florence there was also the ninth edition of Pitti W: the women’s fashion fair that despite the air of crisis (not just economic, but even creative), has reserved some pleasant surprises among the stands. This is my selection: Eleonora Niccolai; outfit from the lookbook and two dresses from the Pitti W stand Eleonora Niccolai, giovanissima designer fiorentina che dopo gli studi in design di maglieria al Polimoda e una lunga esperienza londinese da Vivienne Westwood, torna in Italia come stylist, finch\u00e9 nel 2010 decide di lanciare la propria linea \/ELEONORANICCOLAI. Le sue creazioni sono “caotiche-ma-equilibrate” forme di lana, caratterizzate da silhouette volutamente non lineari, leggere e libere, come fossero drappeggiate direttamente sul corpo. Abiti che vivono una continua metamorfosi e che strizzano l’occhio ad una clientela dal gusto internazionale, che ama l’unicit\u00e0 del capo dalle forme inusuali interamente realizzato a mano con filati naturali. Clicca qui per leggere l’intervista ad Eleonora Niccolai curata per Premi\u00e8reShooting.com. Eleonora Niccolai, young fashion designer from Florence. She studied knitwear design at Polimoda then moved to London for work at Vivienne Westwood. Once back in Italy as a stylist, in 2010 she decided to launch her own line \/ELEONORANICCOLAI. Her creations are “chaotic-but-balanced” wool shapes with non-linear silhouettes. Her garments are light and free, as if they were draped directly on the body, as in a continuous metamorphosis. Unique style made in Florence, entirely by hand with biological yarns. Click here to read the interview for Premi\u00e8reShooting.com. Midzo Jewellery Ivan Midzic, dopo l’esordio alla Zagabria fashion week e la partecipazione ad eventi come la Vogue Fashion Night Out di Roma, debutta anche al Pitti W con la sua Midzo Jewellery, linea di gioielli scultura distribuita in Italia esclusivamente da Qalime. Ivan \u00e8 uno scultore croato che volendo far conoscere il suo modo di concepire l’arte, ha deciso di avvicinarsi alle persone creando una linea di gioielli scultura con materiali poveri come ferro, zinco, rame e ottone.\u2028 La particolarit\u00e0 delle sue creazioni sta nelle forme tendenzialmente organiche o geometricamente complesse, lavorate artigianalmente lasciando le tracce degli utensili, non mascherandole con verniciature. Per l’occasione sono state presentate due nuove collezioni: la Leaves Collection, dalle forme sinuose di foglie poli-materiche con un cuore centrale che focalizza tutta l’attenzione, e la Fold Collection, che si sviluppa tridimensionalmente utilizzando lo spazio quasi come elemento decorativo. The artist Ivan Midzic, after the Zagreb Fashion Week and the Vogue Fashion Night Out in Rome, debuted at Pitti W with his sculpture-jewelry line Midzo Jewellery, distributed in Italy exclusively by Qalime. Ivan is a Croatian sculptor who wanted to let people know his way of conceiving art, so he created a line of sculpture-jewelry made with everyday materials such as iron, zinc, copper or brass modeled as organic or geometrically complex shapes. For the occasion there were presented two new collections: the Leaves Collection, sinuous and poly-textured leaves with a central core that focuses all the attention, and the Fold Collection, which is developed using the three-dimensional space almost as a decorative element. Kzeniya, artistic iPad holder Tra gli accessori di Kzeniya (linea lanciata nel 2010 dalla designer, londinese d’adozione, Kzeniya Oudenot) hanno catturato la mia attenzione le custodie per iPad ispirate al mondo della letteratura e dell’arte inglese realizzate con una sperimentale tecnica di stampa su pelle, realizzata in spagna, su pellami italiani. I pezzi chiave Kzeniya sono generalmente pi\u00f9 aggressivi, pochette e borse con inserti metallici dorati dalle forme taglienti e squadrate, mentre queste custodie riflettono uno spirito pi\u00f9 romantico, con la riproduzione di frontespizi e prime stesure di romanzi settecenteschi o addirittura appunti e schizzi di artisti. Kzeniya accessories is a line launched in 2010 by the London-based designer Kzeniya Oudenot and her iPad cases immediately has caught my eye. They are inspired by the late XVIIIth century British literature and art; are designed in London and made in Spain with experimental printing techniques on leather, using high quality Italian materials. The Kzeniya key items and bags are generally more “edgy”, with metal plates and squared shapes, while these iPad cases reflect a more romantic spirit, with reproductions of title pages of novels or even artists sketches. Brogden leather coat covered with Natasa Filimonov feather skulls Nan\u00e0 Firenze, brand nato dall’azienda Mazzanti Piume che dal 1935, generazione dopo generazione, confeziona artigianalmente composizioni di piume per accessori moda e non solo. Al Pitti W Nan\u00e0 Firenze oltre alle nuove collezioni di fashinators e accessori, ha presentato la speciale collaborazione con la giovane designer serba Natasa Filimonovic che si propone di “piumare” la realt\u00e0 proponendo teschi da indossare su giacche e cappotti in pelle del marchio Brogden. Una provocazione che attraverso l’esplosione di colori e piume esorcizza i teschi trasformandoli in fashion totem. Nana Firenze is the brand of the Mazzanti family which, since 1935, generation after generation, makes hand-made compositions of feathers for fashion accessories and more. At Pitti W Nana Firenze presented the new collection of accessories and fashinators in addition to a special collaboration with the young Serbian designer Natasa Filimonovic. She aims to “feather-ing” the world and, for the occasion, she made feather-skulls to be put on Brogden leather coats. A provocation that turned the skulls into fashion totem, exorcising them with a full explosion of colors. Bingnangles by Serena Bosone I Binglabangles sono i gioielli di Serena Bosone, designer milanese classe 1981, divisa tra la scenografia e il design. Al Pitti W ha proposto la sua collezione ispirata a civilt\u00e0 lontane e ai grandi pittori e pensatori del passato, reinterpretati con una materia prima sintetica che arriva dal futuro, il plexiglass. I bracciali in resina ispirati ai disegni delle sete cinesi, i girocolli rigidi dalle linee geometriche tratte dai copricapi vietnamiti e gli orecchini dai simboli tibetani sembrano riportare alla mente un onirico viaggio in oriente. Un solo pezzo riesce a focalizzare l’attenzione, ottimo per quelle donne che vogliono arricchire il classico little black dress con qualcosa di originale o per coloro che invece amano ornarsi di stampe e non possono rinunciare ad un gioiello che abbia personalit\u00e0, pur rimanendo sobrio. Binglabangles is the jewel brand by Serena Bosone, young Milanese set designer and fashion designer, born in 1981. At Pitti W she proposed her high-plexiglass-jewellery collection, inspired by the Far East populations and the great artists of the past as Gauguin. Serena propose a sort of dreaming-trip through her resin bangles inspired by the flower designs of Chinese silks; the rigid geometric necklace like the Vietnamese hats and the Tibetan symbols put on rings and earrings. Every single piece focuses all the attention and can be good for those women who want to enrich the classic little black dress with something original or for those who love to wear full-printed dresses and cannot give up a jewel with personality. Misael coat and cape; and the Misael – Made in China Adv campaign by Manuel Scrima Misael \u00e8 un laboratorio internazionale per giovani creativi che mixa arte, design, fashion e food, nell’intento di produrre creazioni uniche nel loro genere. Il progetto nasce a Shanghai nel 2007 dall’incontro tra l’imprenditore Michael Haerens e la producer Isabelle Qian, e ad oggi vanta 5 “concept area” tra Cape Town, Milano, Vicenza, Ferrara e Shanghai, ma attenti a non chiamarli store. Al Pitti W \u00e8 stata presentata la pre-collezione donna FW 2012 ideata e realizzata a Shanghai da un team internazionale guidato da Angelo Cruciani (artista; performer; direttore creativo delle collezioni abbigliamento Piero Guidi dal 2000 al 2008) che lavora all’ambizioso progetto Moda Misael per riqualificare il Made in China. La “Sensual Collection” \u00e8 focalizzata sui capispalla e la maglieria con sperimentazioni stilistiche come i cappotti in panno dalle forme avanguardiste e i modelli One Size, studiati per consentire ad ogni donna di indossare la stessa taglia adattando il capo al proprio corpo. La ricerca avviene anche attraverso i tessuti high-tech, dai panni di lana 800gr delle divise militari Russe, alle tecnospugne idrorepellenti e traspiranti per i capispalla, che da rigidi volumi si addolciscono valorizzando il corpo femminile. Misael is an international workshop for young designers. It mixes art, design, fashion and food, in order to produce unique creations. The project was born in Shanghai in 2007 by the cooperation of the entrepreneur Michael Haerens and the producer Isabelle Qian. Now Misael boasts 5 “concept areas” between Cape Town, Milan, Vicenza, Ferrara, and Shanghai, but be careful not to call them concept store. At Pitti W has been presented the pre-FW 2012 women’s collection designed and made in Shanghai by an international team led by Angelo Cruciani, artist and ex-creative director of the Piero Guidi clothing line (2000-2008), who works to the Misael Fashion project, aiming to redevelop the “Made in China”. The “Sensual Collection” is focused on stylistic experiments such as the coats, made with 800gr wool like the Russian military uniforms or with waterproof tecno-sponge, and the One Size sweater-dresses, designed to allow every woman to wear the same size, adapting the garment perfectly to the body, no matter the size she is.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-214","post","type-post","status-publish","format-standard","hentry","category-pitti-uomo"],"yoast_head":"\nPitti W 9: My selection | The Fashion Commentator<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.thefashioncommentator.com\/it\/2012\/01\/pitti-w-9-my-selection.html\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pitti W 9: My selection | The Fashion Commentator\" \/>\n<meta property=\"og:description\" content=\"Dal 10 al 13 Gennaio in concomitanza con Pitti Uomo, si \u00e8 tenuta la nona edizione di Pitti W, la kermesse di moda femminile che nonostante l’aria di crisi (non solo economica, ma anche creativa), ha riservato delle piacevoli sorprese tra progetti e nuovi designer. Questa la mia selezione: From January 10 to 13 in conjunction with Pitti Uomo, in Florence there was also the ninth edition of Pitti W: the women’s fashion fair that despite the air of crisis (not just economic, but even creative), has reserved some pleasant surprises among the stands. This is my selection: Eleonora Niccolai; outfit from the lookbook and two dresses from the Pitti W stand Eleonora Niccolai, giovanissima designer fiorentina che dopo gli studi in design di maglieria al Polimoda e una lunga esperienza londinese da Vivienne Westwood, torna in Italia come stylist, finch\u00e9 nel 2010 decide di lanciare la propria linea \/ELEONORANICCOLAI. Le sue creazioni sono “caotiche-ma-equilibrate” forme di lana, caratterizzate da silhouette volutamente non lineari, leggere e libere, come fossero drappeggiate direttamente sul corpo. Abiti che vivono una continua metamorfosi e che strizzano l’occhio ad una clientela dal gusto internazionale, che ama l’unicit\u00e0 del capo dalle forme inusuali interamente realizzato a mano con filati naturali. Clicca qui per leggere l’intervista ad Eleonora Niccolai curata per Premi\u00e8reShooting.com. Eleonora Niccolai, young fashion designer from Florence. She studied knitwear design at Polimoda then moved to London for work at Vivienne Westwood. Once back in Italy as a stylist, in 2010 she decided to launch her own line \/ELEONORANICCOLAI. Her creations are “chaotic-but-balanced” wool shapes with non-linear silhouettes. Her garments are light and free, as if they were draped directly on the body, as in a continuous metamorphosis. Unique style made in Florence, entirely by hand with biological yarns. Click here to read the interview for Premi\u00e8reShooting.com. Midzo Jewellery Ivan Midzic, dopo l’esordio alla Zagabria fashion week e la partecipazione ad eventi come la Vogue Fashion Night Out di Roma, debutta anche al Pitti W con la sua Midzo Jewellery, linea di gioielli scultura distribuita in Italia esclusivamente da Qalime. Ivan \u00e8 uno scultore croato che volendo far conoscere il suo modo di concepire l’arte, ha deciso di avvicinarsi alle persone creando una linea di gioielli scultura con materiali poveri come ferro, zinco, rame e ottone.\u2028 La particolarit\u00e0 delle sue creazioni sta nelle forme tendenzialmente organiche o geometricamente complesse, lavorate artigianalmente lasciando le tracce degli utensili, non mascherandole con verniciature. Per l’occasione sono state presentate due nuove collezioni: la Leaves Collection, dalle forme sinuose di foglie poli-materiche con un cuore centrale che focalizza tutta l’attenzione, e la Fold Collection, che si sviluppa tridimensionalmente utilizzando lo spazio quasi come elemento decorativo. The artist Ivan Midzic, after the Zagreb Fashion Week and the Vogue Fashion Night Out in Rome, debuted at Pitti W with his sculpture-jewelry line Midzo Jewellery, distributed in Italy exclusively by Qalime. Ivan is a Croatian sculptor who wanted to let people know his way of conceiving art, so he created a line of sculpture-jewelry made with everyday materials such as iron, zinc, copper or brass modeled as organic or geometrically complex shapes. For the occasion there were presented two new collections: the Leaves Collection, sinuous and poly-textured leaves with a central core that focuses all the attention, and the Fold Collection, which is developed using the three-dimensional space almost as a decorative element. Kzeniya, artistic iPad holder Tra gli accessori di Kzeniya (linea lanciata nel 2010 dalla designer, londinese d’adozione, Kzeniya Oudenot) hanno catturato la mia attenzione le custodie per iPad ispirate al mondo della letteratura e dell’arte inglese realizzate con una sperimentale tecnica di stampa su pelle, realizzata in spagna, su pellami italiani. I pezzi chiave Kzeniya sono generalmente pi\u00f9 aggressivi, pochette e borse con inserti metallici dorati dalle forme taglienti e squadrate, mentre queste custodie riflettono uno spirito pi\u00f9 romantico, con la riproduzione di frontespizi e prime stesure di romanzi settecenteschi o addirittura appunti e schizzi di artisti. Kzeniya accessories is a line launched in 2010 by the London-based designer Kzeniya Oudenot and her iPad cases immediately has caught my eye. They are inspired by the late XVIIIth century British literature and art; are designed in London and made in Spain with experimental printing techniques on leather, using high quality Italian materials. The Kzeniya key items and bags are generally more “edgy”, with metal plates and squared shapes, while these iPad cases reflect a more romantic spirit, with reproductions of title pages of novels or even artists sketches. Brogden leather coat covered with Natasa Filimonov feather skulls Nan\u00e0 Firenze, brand nato dall’azienda Mazzanti Piume che dal 1935, generazione dopo generazione, confeziona artigianalmente composizioni di piume per accessori moda e non solo. Al Pitti W Nan\u00e0 Firenze oltre alle nuove collezioni di fashinators e accessori, ha presentato la speciale collaborazione con la giovane designer serba Natasa Filimonovic che si propone di “piumare” la realt\u00e0 proponendo teschi da indossare su giacche e cappotti in pelle del marchio Brogden. Una provocazione che attraverso l’esplosione di colori e piume esorcizza i teschi trasformandoli in fashion totem. Nana Firenze is the brand of the Mazzanti family which, since 1935, generation after generation, makes hand-made compositions of feathers for fashion accessories and more. At Pitti W Nana Firenze presented the new collection of accessories and fashinators in addition to a special collaboration with the young Serbian designer Natasa Filimonovic. She aims to “feather-ing” the world and, for the occasion, she made feather-skulls to be put on Brogden leather coats. A provocation that turned the skulls into fashion totem, exorcising them with a full explosion of colors. Bingnangles by Serena Bosone I Binglabangles sono i gioielli di Serena Bosone, designer milanese classe 1981, divisa tra la scenografia e il design. Al Pitti W ha proposto la sua collezione ispirata a civilt\u00e0 lontane e ai grandi pittori e pensatori del passato, reinterpretati con una materia prima sintetica che arriva dal futuro, il plexiglass. I bracciali in resina ispirati ai disegni delle sete cinesi, i girocolli rigidi dalle linee geometriche tratte dai copricapi vietnamiti e gli orecchini dai simboli tibetani sembrano riportare alla mente un onirico viaggio in oriente. Un solo pezzo riesce a focalizzare l’attenzione, ottimo per quelle donne che vogliono arricchire il classico little black dress con qualcosa di originale o per coloro che invece amano ornarsi di stampe e non possono rinunciare ad un gioiello che abbia personalit\u00e0, pur rimanendo sobrio. Binglabangles is the jewel brand by Serena Bosone, young Milanese set designer and fashion designer, born in 1981. At Pitti W she proposed her high-plexiglass-jewellery collection, inspired by the Far East populations and the great artists of the past as Gauguin. Serena propose a sort of dreaming-trip through her resin bangles inspired by the flower designs of Chinese silks; the rigid geometric necklace like the Vietnamese hats and the Tibetan symbols put on rings and earrings. Every single piece focuses all the attention and can be good for those women who want to enrich the classic little black dress with something original or for those who love to wear full-printed dresses and cannot give up a jewel with personality. Misael coat and cape; and the Misael – Made in China Adv campaign by Manuel Scrima Misael \u00e8 un laboratorio internazionale per giovani creativi che mixa arte, design, fashion e food, nell’intento di produrre creazioni uniche nel loro genere. Il progetto nasce a Shanghai nel 2007 dall’incontro tra l’imprenditore Michael Haerens e la producer Isabelle Qian, e ad oggi vanta 5 “concept area” tra Cape Town, Milano, Vicenza, Ferrara e Shanghai, ma attenti a non chiamarli store. Al Pitti W \u00e8 stata presentata la pre-collezione donna FW 2012 ideata e realizzata a Shanghai da un team internazionale guidato da Angelo Cruciani (artista; performer; direttore creativo delle collezioni abbigliamento Piero Guidi dal 2000 al 2008) che lavora all’ambizioso progetto Moda Misael per riqualificare il Made in China. La “Sensual Collection” \u00e8 focalizzata sui capispalla e la maglieria con sperimentazioni stilistiche come i cappotti in panno dalle forme avanguardiste e i modelli One Size, studiati per consentire ad ogni donna di indossare la stessa taglia adattando il capo al proprio corpo. La ricerca avviene anche attraverso i tessuti high-tech, dai panni di lana 800gr delle divise militari Russe, alle tecnospugne idrorepellenti e traspiranti per i capispalla, che da rigidi volumi si addolciscono valorizzando il corpo femminile. Misael is an international workshop for young designers. It mixes art, design, fashion and food, in order to produce unique creations. The project was born in Shanghai in 2007 by the cooperation of the entrepreneur Michael Haerens and the producer Isabelle Qian. Now Misael boasts 5 “concept areas” between Cape Town, Milan, Vicenza, Ferrara, and Shanghai, but be careful not to call them concept store. At Pitti W has been presented the pre-FW 2012 women’s collection designed and made in Shanghai by an international team led by Angelo Cruciani, artist and ex-creative director of the Piero Guidi clothing line (2000-2008), who works to the Misael Fashion project, aiming to redevelop the “Made in China”. The “Sensual Collection” is focused on stylistic experiments such as the coats, made with 800gr wool like the Russian military uniforms or with waterproof tecno-sponge, and the One Size sweater-dresses, designed to allow every woman to wear the same size, adapting the garment perfectly to the body, no matter the size she is.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.thefashioncommentator.com\/it\/2012\/01\/pitti-w-9-my-selection.html\" \/>\n<meta property=\"og:site_name\" content=\"The Fashion Commentator\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AlessandroMasetti\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/AlessandroMasetti\" \/>\n<meta property=\"article:published_time\" content=\"2012-01-26T23:04:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-03-04T05:53:38+00:00\" \/>\n<meta property=\"og:image\" 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Art curator in love with books, flea markets and interior design.\",\"sameAs\":[\"https:\/\/www.thefashioncommentator.com\/\",\"https:\/\/www.facebook.com\/AlessandroMasetti\",\"https:\/\/instagram.com\/alessandromasetticurator\",\"https:\/\/x.com\/https:\/\/twitter.com\/alexcommentator\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pitti W 9: My selection | The Fashion Commentator","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.thefashioncommentator.com\/it\/2012\/01\/pitti-w-9-my-selection.html","og_locale":"it_IT","og_type":"article","og_title":"Pitti W 9: My selection | The Fashion Commentator","og_description":"Dal 10 al 13 Gennaio in concomitanza con Pitti Uomo, si \u00e8 tenuta la nona edizione di Pitti W, la kermesse di moda femminile che nonostante l’aria di crisi (non solo economica, ma anche creativa), ha riservato delle piacevoli sorprese tra progetti e nuovi designer. Questa la mia selezione: From January 10 to 13 in conjunction with Pitti Uomo, in Florence there was also the ninth edition of Pitti W: the women’s fashion fair that despite the air of crisis (not just economic, but even creative), has reserved some pleasant surprises among the stands. This is my selection: Eleonora Niccolai; outfit from the lookbook and two dresses from the Pitti W stand Eleonora Niccolai, giovanissima designer fiorentina che dopo gli studi in design di maglieria al Polimoda e una lunga esperienza londinese da Vivienne Westwood, torna in Italia come stylist, finch\u00e9 nel 2010 decide di lanciare la propria linea \/ELEONORANICCOLAI. Le sue creazioni sono “caotiche-ma-equilibrate” forme di lana, caratterizzate da silhouette volutamente non lineari, leggere e libere, come fossero drappeggiate direttamente sul corpo. Abiti che vivono una continua metamorfosi e che strizzano l’occhio ad una clientela dal gusto internazionale, che ama l’unicit\u00e0 del capo dalle forme inusuali interamente realizzato a mano con filati naturali. Clicca qui per leggere l’intervista ad Eleonora Niccolai curata per Premi\u00e8reShooting.com. Eleonora Niccolai, young fashion designer from Florence. She studied knitwear design at Polimoda then moved to London for work at Vivienne Westwood. Once back in Italy as a stylist, in 2010 she decided to launch her own line \/ELEONORANICCOLAI. Her creations are “chaotic-but-balanced” wool shapes with non-linear silhouettes. Her garments are light and free, as if they were draped directly on the body, as in a continuous metamorphosis. Unique style made in Florence, entirely by hand with biological yarns. Click here to read the interview for Premi\u00e8reShooting.com. Midzo Jewellery Ivan Midzic, dopo l’esordio alla Zagabria fashion week e la partecipazione ad eventi come la Vogue Fashion Night Out di Roma, debutta anche al Pitti W con la sua Midzo Jewellery, linea di gioielli scultura distribuita in Italia esclusivamente da Qalime. Ivan \u00e8 uno scultore croato che volendo far conoscere il suo modo di concepire l’arte, ha deciso di avvicinarsi alle persone creando una linea di gioielli scultura con materiali poveri come ferro, zinco, rame e ottone.\u2028 La particolarit\u00e0 delle sue creazioni sta nelle forme tendenzialmente organiche o geometricamente complesse, lavorate artigianalmente lasciando le tracce degli utensili, non mascherandole con verniciature. Per l’occasione sono state presentate due nuove collezioni: la Leaves Collection, dalle forme sinuose di foglie poli-materiche con un cuore centrale che focalizza tutta l’attenzione, e la Fold Collection, che si sviluppa tridimensionalmente utilizzando lo spazio quasi come elemento decorativo. The artist Ivan Midzic, after the Zagreb Fashion Week and the Vogue Fashion Night Out in Rome, debuted at Pitti W with his sculpture-jewelry line Midzo Jewellery, distributed in Italy exclusively by Qalime. Ivan is a Croatian sculptor who wanted to let people know his way of conceiving art, so he created a line of sculpture-jewelry made with everyday materials such as iron, zinc, copper or brass modeled as organic or geometrically complex shapes. For the occasion there were presented two new collections: the Leaves Collection, sinuous and poly-textured leaves with a central core that focuses all the attention, and the Fold Collection, which is developed using the three-dimensional space almost as a decorative element. Kzeniya, artistic iPad holder Tra gli accessori di Kzeniya (linea lanciata nel 2010 dalla designer, londinese d’adozione, Kzeniya Oudenot) hanno catturato la mia attenzione le custodie per iPad ispirate al mondo della letteratura e dell’arte inglese realizzate con una sperimentale tecnica di stampa su pelle, realizzata in spagna, su pellami italiani. I pezzi chiave Kzeniya sono generalmente pi\u00f9 aggressivi, pochette e borse con inserti metallici dorati dalle forme taglienti e squadrate, mentre queste custodie riflettono uno spirito pi\u00f9 romantico, con la riproduzione di frontespizi e prime stesure di romanzi settecenteschi o addirittura appunti e schizzi di artisti. Kzeniya accessories is a line launched in 2010 by the London-based designer Kzeniya Oudenot and her iPad cases immediately has caught my eye. They are inspired by the late XVIIIth century British literature and art; are designed in London and made in Spain with experimental printing techniques on leather, using high quality Italian materials. The Kzeniya key items and bags are generally more “edgy”, with metal plates and squared shapes, while these iPad cases reflect a more romantic spirit, with reproductions of title pages of novels or even artists sketches. Brogden leather coat covered with Natasa Filimonov feather skulls Nan\u00e0 Firenze, brand nato dall’azienda Mazzanti Piume che dal 1935, generazione dopo generazione, confeziona artigianalmente composizioni di piume per accessori moda e non solo. Al Pitti W Nan\u00e0 Firenze oltre alle nuove collezioni di fashinators e accessori, ha presentato la speciale collaborazione con la giovane designer serba Natasa Filimonovic che si propone di “piumare” la realt\u00e0 proponendo teschi da indossare su giacche e cappotti in pelle del marchio Brogden. Una provocazione che attraverso l’esplosione di colori e piume esorcizza i teschi trasformandoli in fashion totem. Nana Firenze is the brand of the Mazzanti family which, since 1935, generation after generation, makes hand-made compositions of feathers for fashion accessories and more. At Pitti W Nana Firenze presented the new collection of accessories and fashinators in addition to a special collaboration with the young Serbian designer Natasa Filimonovic. She aims to “feather-ing” the world and, for the occasion, she made feather-skulls to be put on Brogden leather coats. A provocation that turned the skulls into fashion totem, exorcising them with a full explosion of colors. Bingnangles by Serena Bosone I Binglabangles sono i gioielli di Serena Bosone, designer milanese classe 1981, divisa tra la scenografia e il design. Al Pitti W ha proposto la sua collezione ispirata a civilt\u00e0 lontane e ai grandi pittori e pensatori del passato, reinterpretati con una materia prima sintetica che arriva dal futuro, il plexiglass. I bracciali in resina ispirati ai disegni delle sete cinesi, i girocolli rigidi dalle linee geometriche tratte dai copricapi vietnamiti e gli orecchini dai simboli tibetani sembrano riportare alla mente un onirico viaggio in oriente. Un solo pezzo riesce a focalizzare l’attenzione, ottimo per quelle donne che vogliono arricchire il classico little black dress con qualcosa di originale o per coloro che invece amano ornarsi di stampe e non possono rinunciare ad un gioiello che abbia personalit\u00e0, pur rimanendo sobrio. Binglabangles is the jewel brand by Serena Bosone, young Milanese set designer and fashion designer, born in 1981. At Pitti W she proposed her high-plexiglass-jewellery collection, inspired by the Far East populations and the great artists of the past as Gauguin. Serena propose a sort of dreaming-trip through her resin bangles inspired by the flower designs of Chinese silks; the rigid geometric necklace like the Vietnamese hats and the Tibetan symbols put on rings and earrings. Every single piece focuses all the attention and can be good for those women who want to enrich the classic little black dress with something original or for those who love to wear full-printed dresses and cannot give up a jewel with personality. Misael coat and cape; and the Misael – Made in China Adv campaign by Manuel Scrima Misael \u00e8 un laboratorio internazionale per giovani creativi che mixa arte, design, fashion e food, nell’intento di produrre creazioni uniche nel loro genere. Il progetto nasce a Shanghai nel 2007 dall’incontro tra l’imprenditore Michael Haerens e la producer Isabelle Qian, e ad oggi vanta 5 “concept area” tra Cape Town, Milano, Vicenza, Ferrara e Shanghai, ma attenti a non chiamarli store. Al Pitti W \u00e8 stata presentata la pre-collezione donna FW 2012 ideata e realizzata a Shanghai da un team internazionale guidato da Angelo Cruciani (artista; performer; direttore creativo delle collezioni abbigliamento Piero Guidi dal 2000 al 2008) che lavora all’ambizioso progetto Moda Misael per riqualificare il Made in China. La “Sensual Collection” \u00e8 focalizzata sui capispalla e la maglieria con sperimentazioni stilistiche come i cappotti in panno dalle forme avanguardiste e i modelli One Size, studiati per consentire ad ogni donna di indossare la stessa taglia adattando il capo al proprio corpo. La ricerca avviene anche attraverso i tessuti high-tech, dai panni di lana 800gr delle divise militari Russe, alle tecnospugne idrorepellenti e traspiranti per i capispalla, che da rigidi volumi si addolciscono valorizzando il corpo femminile. Misael is an international workshop for young designers. It mixes art, design, fashion and food, in order to produce unique creations. The project was born in Shanghai in 2007 by the cooperation of the entrepreneur Michael Haerens and the producer Isabelle Qian. Now Misael boasts 5 “concept areas” between Cape Town, Milan, Vicenza, Ferrara, and Shanghai, but be careful not to call them concept store. At Pitti W has been presented the pre-FW 2012 women’s collection designed and made in Shanghai by an international team led by Angelo Cruciani, artist and ex-creative director of the Piero Guidi clothing line (2000-2008), who works to the Misael Fashion project, aiming to redevelop the “Made in China”. The “Sensual Collection” is focused on stylistic experiments such as the coats, made with 800gr wool like the Russian military uniforms or with waterproof tecno-sponge, and the One Size sweater-dresses, designed to allow every woman to wear the same size, adapting the garment perfectly to the body, no matter the size she is.","og_url":"https:\/\/www.thefashioncommentator.com\/it\/2012\/01\/pitti-w-9-my-selection.html","og_site_name":"The Fashion Commentator","article_publisher":"https:\/\/www.facebook.com\/AlessandroMasetti","article_author":"https:\/\/www.facebook.com\/AlessandroMasetti","article_published_time":"2012-01-26T23:04:00+00:00","article_modified_time":"2018-03-04T05:53:38+00:00","og_image":[{"url":"http:\/\/2.bp.blogspot.com\/-dF1dp8x9BUo\/TyG-gixJIwI\/AAAAAAAAEoI\/0V7GDOLRj10\/s640\/Eleonora+Niccolai+Pitti+W.jpeg"}],"author":"Alessandro 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